Printing Techniques - Screen Printing

Research into different commercial print processes

http://en.wikipedia.org/wiki/Screen_printing
http://www.mscarita.com/services.htm

Screen Printing


Screen printing is a printing technique that uses a woven mesh to support an ink-blocking stencil. The attached stencil forms open areas of mesh that transfer ink or other printable materials which can be pressed through the mesh as a sharp-edged image onto a substrate. A fill blade or squeegee is moved across the screen stencil, forcing or pumping ink into the mesh openings for transfer by capillary action during the squeegee stroke. Basically, it is the process of using a stencil to apply ink onto another material.
Screen printing is also a stencil method of print making in which a design is imposed on a screen of polyester or other fine mesh, with blank areas coated with an impermeable substance. Ink is forced into the mesh openings by the fill blade or squeegee and onto the printing surface during the squeegee stroke. It is also known as silkscreenserigraphy, and serigraph printing. A number of screens can be used to produce a multicoloured image.

Printing technique


A. Ink. B. Squeegee. C. Image. D. Photo-emulsion. E. Screen. F. Printed image.

How to screen print one image

How to screen print with multiple layers using CMYK

Different samples of the printed image
A screen is made of a piece of mesh stretched over a frame. A stencil is formed by blocking off parts of the screen in the negative image of the design to be printed; that is, the open spaces are where the ink will appear on the substrate.
Before printing occurs, the frame and screen must undergo the pre-press process, in which an emulsion is 'scooped' across the mesh and the 'exposure unit' burns away the unnecessary emulsion leaving behind a clean area in the mesh with the identical shape as the desired image. The surface (commonly referred to as a pallet) that the substrate will be printed against is coated with a wide 'pallet tape'. This serves to protect the 'pallet' from any unwanted ink leaking through the substrate and potentially staining the 'pallet' or transferring unwanted ink onto the next substrate. Next, the screen and frame are lined with a tape. The type of tape used in for this purpose often depends upon the ink that is to be printed onto the substrate. These aggressive tapes are generally used for UV and water-based inks due to the inks' lower viscosities. The last process in the 'pre-press' is blocking out any unwanted 'pin-holes' in the emulsion. If these holes are left in the emulsion, the ink will continue through and leave unwanted marks. To block out these holes, materials such as tapes, specialty emulsions and 'block-out pens' may be used effectively.
The screen is placed atop a substrate. Ink is placed on top of the screen, and a floodbar is used to push the ink through the holes in the mesh. The operator begins with the fill bar at the rear of the screen and behind a reservoir of ink. The operator lifts the screen to prevent contact with the substrate and then using a slight amount of downward force pulls the fill bar to the front of the screen. This effectively fills the mesh openings with ink and moves the ink reservoir to the front of the screen. The operator then uses a squeegee (rubber blade) to move the mesh down to the substrate and pushes the squeegee to the rear of the screen. The ink that is in the mesh opening is pumped or squeezed by capillary action to the substrate in a controlled and prescribed amount, i.e. the wet ink deposit is proportional to the thickness of the mesh and or stencil. As the squeegee moves toward the rear of the screen the tension of the mesh pulls the mesh up away from the substrate (called snap-off) leaving the ink upon the substrate surface.
There are three common types of screenprinting presses. The 'flat-bed', 'cylinder', and the most widely used type, the 'rotary'.[6]
Textile items printed with multi-colour designs often use a wet on wet technique, or colors dried while on the press, while graphic items are allowed to dry between colours that are then printed with another screen and often in a different color after the product is re-aligned on the press.
Most screens are ready for recoating at this stage, but sometimes screens will have to undergo a further step in the reclaiming process called dehazing. This additional step removes haze or "ghost images" left behind in the screen once the emulsion has been removed. Ghost images tend to faintly outline the open areas of previous stencils, hence the name. They are the result of ink residue trapped in the mesh, often in the knuckles of the mesh (the points where threads cross).[11]
While the public thinks of garments in conjunction with screenprinting, the technique is used on tens of thousands of items, including decals, clock and watch faces, balloons, and many other products. The technique has even been adapted for more advanced uses, such as laying down conductors and resistors in multi-layer circuits using thin ceramic layers as the substrate.


A method of stenciling that has increased in popularity over the past years is the photo emulsion technique:

Hand-painted color separation on transparent overlay by serigraph printerCsaba Markus
  1. The original image is created on a transparent overlay, and the image may be drawn or painted directly on the overlay, photocopied, or printed with a computer printer, but making so that the areas to be inked are not transparent. A black-and-white positive may also be used (projected on to the screen). However, unlike traditional platemaking, these screens are normally exposed by using film positives.
  2. A screen must then be selected. There are several different mesh counts that can be used depending on the detail of the design being printed. Once a screen is selected, the screen must be coated with emulsion and put to dry in a dark room. Once dry, it is then possible to burn/expose the print.
  3. The overlay is placed over the screen, and then exposed with a light source containing ultraviolet light in the 350-420 nanometer spectrum.
  4. The screen is washed off thoroughly. The areas of emulsion that were not exposed to light dissolve and wash away, leaving a negative stencil of the image on the mesh.
Another advantage of screenprinting is that large quantities can be produced rapidly with new automatic presses, up to 1800 shirts in 1 hour.[12] The current speed loading record is 1805 shirts printed in one hour, documented on 18 February 2005. Maddie Sikorski of the New Buffalo Shirt Factory in Clarence, New York (USA) set this record at the Image Wear Expo in Orlando, Florida, USA, using a 12-colour M&R Formula Press and an M&R Passport Automatic Textile Unloader. The world speed record represents a speed that is over four times the typical average speed for manual loading of shirts for automated screen printing.

Printing materials


Caviar beads
a glue is printed in the shape of the design, to which small plastic beads are then applied – works well with solid block areas creating an interesting tactile surface.
Cracking ink
the ink produces a cracked surface after drying.
Discharge inks
used to print lighter colours onto dark background fabrics, they work by removing the dye in the garment – this means they leave a much softer texture. They are less graphic in nature than plastisol inks, and exact colours are difficult to control, but especially good for distressed prints and underbasing on dark garments that are to be printed with additional layers of plastisol.
Expanding ink (puff)
an additive to plastisol inks which raises the print off the garment, creating a 3D feel.
Flocking
consists of a glue printed onto the fabric and then foil or flock (or other special effect) material is applied for a mirror finish or a velvet touch.
Four colour process or the CMYK color model
artwork is created and then separated into four colours (CMYK) which combine to create the full spectrum of colours needed for photographic prints. This means a large number of colours can be simulated using only 4 screens, reducing costs, time, and set-up. The inks are required to blend and are more translucent, meaning a compromise with vibrancy of colour.
Glitter/Shimmer
metallic flakes are suspended in the ink base to create this sparkle effect. Usually available in gold or silver but can be mixed to make most colours.
Gloss
a clear base laid over previously printed inks to create a shiny finish.
Metallic
similar to glitter, but smaller particles suspended in the ink. A glue is printed onto the fabric, then nanoscale fibers applied on it.
Mirrored silver
A highly reflective, solvent based ink.
Nylobond
a special ink additive for printing onto technical or waterproof fabrics.
Plastisol
the most common ink used in commercial garment decoration. Good colour opacity onto dark garments and clear graphic detail with, as the name suggests, a more plasticized texture. This print can be made softer with special additives or heavier by adding extra layers of ink. Plastisol inks require heat (approx. 150°C (300°F) for many inks) to cure the print.
PVC and Phthalate Free
relatively new breed of ink and printing with the benefits of plastisol but without the two main toxic components. Has a soft texture.
Suede Ink
Suede is a milky coloured additive that is added to plastisol. With suede additive you can make any colour of plastisol have a suede feel. It is actually a puff blowing agent that does not bubble as much as regular puff ink. The directions vary from manufacturer to manufacturer, but generally up to 50% suede can be added to normal plastisol.
Water-Based inks
these penetrate the fabric more than the plastisol inks and create a much softer feel. Ideal for printing darker inks onto lighter coloured garments. Also useful for larger area prints where texture is important. Some inks require heat or an added catalyst to make the print permanent.

Versatility

Screenprinting is more versatile than traditional printing techniques. The surface does not have to be printed under pressure, unlike etching or lithography, and it does not have to be planar. Different inks can be used to work with a variety of materials, such as textiles, ceramics, wood, paper, glass, metal, and plastic. As a result, screenprinting is used in many different industries, including:
  • Balloons
  • Clothing
  • Decals
  • Medical devices
  • Printed electronics, including circuit board printing
  • Product labels
  • Signs and displays
  • Snowboard graphics
  • Textile fabric
  • Thick film technology


To print multiple copies of the screen design on garments in an efficient manner, amateur and professional printers usually use a screen printing press. Many companies offer simple to sophisticated printing presses. Most of these presses are manual. A few that are industrial-grade-automatic printers require minimal manual labor and increase production significantly.

Screen Printing
Screen printing is considered the most versatile printing process, using substrates of any shape, thickness and size. The screen spot color process allows for accurate color value matches, densities and gloss levels. The ink application process can create interesting effects that cannot be produced with other printing processes using 4-color process, UV inks, Pantone® colors and metallic inks. Screen printing is the choice for large production runs providing cost savings compared to another printing process. As the first step in our STAR-VALUE system, we will evaluate and determine if screen printing is the right application for your panel overlay, decal/placard or nameplate project.


Saturday 17 November 2012 by Andrea Hannah Cooper
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